Topics › All Forums › Van Halen › 2015 Tour › 2015-09-21 Austin360 Amphitheater, Austin, TX
This topic has 6 voices, contains 12 replies, and was last updated by mrmojohalen 3377 days ago.
September 13, 2015 at 10:43 pm Quote #49362 | |
mrmojohalen (6471) | |
September 14, 2015 at 12:52 pm Quote #49367 | |
rockphantom (188) | I’ll be there and taping audio if all goes well. I plan to use my Church Audio CAFS (tiny stealth omni mics), Ugly 2 pre-amp, and my PCM-M10. rockphantomQuote |
September 14, 2015 at 4:29 pm Quote #49382 | |
guitard (7354) |
Unless you’re going to be pretty close to the speakers, I’d opt for cardiod mics. I realize that might not be an option for you though. When I ordered my CA-11s from Chris Church, he had a deal going where he’d throw in a set of cardiod caps for free, so I have both. guitardQuote |
September 16, 2015 at 1:10 pm Quote #49471 | |
rockphantom (188) |
I have a set of CA-14 cardoids. I thought omnidirectional mics were optimal for outdoor taping? I’ll be in the fourth row on the floor to the far left of Wolf’s side. I’ll consider using the CA-14 cards. I am planning to wear a safari hat. Any guidance would be appreciated. Thank You! rockphantomQuote |
September 16, 2015 at 1:18 pm Quote #49472 | |
rockphantom (188) | I should mention that all of the remaining $450-$750 VIP tickets were dumped into the general ticket pool yesterday and can now be had for $166 each. rockphantomQuote |
September 22, 2015 at 10:42 am Quote #49653 | |
rockphantom (188) | Listening to initial playback of my Van Halen recording. Thankfully, it is not a bass sandwich!! Taking a chance with my non-stealthy, easy to spot, Church Audio CA-14 cardoid mics really paid off! I’ve used the CA-14 cards to tape local bands several times and have always been impressed with the quality of the capture. I’ll make the CA-14 cards, my “go-to” mics from here on out. Thank you Randy, for encouraging me to use my CA-14 cards! I was able to tape in plain sight, and was given no grief. rockphantomQuote |
September 22, 2015 at 10:53 am Quote #49655 | |
mjk2112 (337) |
looks nice!!! boldly going nowhere mjk2112Quote |
September 22, 2015 at 2:33 pm Quote #49658 | |
rockphantom (188) | Currently tracking the raw 24/96 recording in Audacity. My new trading buddy techtuts is currently remastering the raw Austin recording. rockphantomQuote |
September 22, 2015 at 10:23 pm Quote #49679 | |
mrmojohalen (6471) | |
September 23, 2015 at 7:09 am Quote #49686 | |
rockphantom (188) | If anyone is interested in creating artwork for the upcoming release of the Austin recording here are some details I’d like to share. Title: Happy 100th Birthday, Mother Van Halen! Setlist: [01] Light Up the Sky rockphantomQuote |
September 23, 2015 at 7:28 am Quote #49687 | |
PT5150 (6290) | Love the bit in Ed’s solo playing Happy Birthday to his Mum… EDDIE’S fingers aren’t fingers they are muscle-powered pistons that hammer guitar strings to the fretboard with the force of a rivet gun”. PT5150Quote |
September 23, 2015 at 9:33 am Quote #49691 | |
sickman (2380) | |
September 23, 2015 at 7:50 pm Quote #49703 | |
mrmojohalen (6471) | http://music.blog.austin360.com/2015/09/22/van-halen-entertains-with-roth-back-at-center-stage/ By David Glessner The not-so-quiet debate surrounding Van Halen’s current tour isn’t whether or not 60-year-old David Lee Roth can still sing (technically, he never could), but rather if he’ll remember the lyrics, sing them in tune and otherwise bother to stay faithful to the songs. On Monday at the Austin360 Amphitheater, the answer was a resounding “more or less.” Opening with 1979’s “Light Up the Sky,” the band’s namesake guitar wizard Eddie Van Halen, his brother/drummer Alex Van Halen and son/bassist Wolfgang Van Halen hit the ground running with turbocharged precision. Never to be outshone, Roth and his permanently plastered creepy clown smile slid across the powder-dusted stage like some herky-jerky marionette channeling James Brown, Liberace and Popeye. In other words, he’s still Mardi Gras and Fourth of July in a pair of impossibly tight pants (and the proverbial lampshade). With Roth returning as ringleader, hardcore fans were guaranteed an exclusive set of vintage songs predating his 1985 replacement Sammy Hagar and that other dude from Extreme. In that regard, Monday was a deck of aces as Van Halen uncorked such keg-party staples as “Runnin’ With the Devil,” “Dance the Night Away,” “Hot for Teacher” and “Ain’t Talkin’ ’Bout Love.” Deep cuts included “Romeo Delight,” “Drop Dead Legs,” “In a Simple Rhyme” and “Dirty Movies.” By Van Halen standards, the stage production was fairly over-the-counter. Sure, there was the usual NASA-style drum kit, stacks of speakers and flashy back lights, but the presentation was mostly about the music, which was largely uninterrupted by Roth’s (in)famous slapstick banter. It was also about THAT guitar. Long regarded as one of the greatest guitarists in the world, Eddie Van Halen remains a case study in how’d-he-do-that? Between backhanded wipes of his brow, the sweat-drenched guitar hero wowed the audience with his trademark finger tapping, dizzying fretboard speed and the boyish grin that seems to have regained some glow. Alex Van Halen’s seemingly obligatory drum solo was impressive enough (and mercifully condensed), and Wolfgang proved to be more than competent handling the chores of ousted bassist Michael Anthony. But alas, it was the Dave-n-Eddie show as Van Halen rolled through “Beautiful Girls,” “Women in Love” and “Ice Cream Man.” As always, Eddie’s solos stole the show. Grinning ear-to-ear and coaxing applause with his two thumbs-up, the maestro unleashed an electrical storm of squeals, harmonics, speed-picking and ever more fretboard tapping that shrieked to an ear-piercing climax with his 1978 game-changing “Eruption.” Whew! In the end, Roth went monotone during “Unchained” and “I’ll Wait,” and finally lost the script during “You Really Got Me” and “Panama.” None of that seemed to matter, however, as the crowd went gonzo for his samurai-style mic stand twirls during the closing rush of “Jump.” Was Roth perfect? Gimme a break! Was Van Halen fun? Absolutely. It ain’t easy being a guitar hero when Eddie Van Halen’s backstage, but Kenny Wayne Shepherd held his own as the evening’s opening act. Decidedly more bluesy and soulful than Van Halen, the Shreveport native makes no bones about his worship of Stevie Ray Vaughan. How fitting, then, that his drummer is former Vaughan timekeeper and Austin resident Chris “Whipper” Layton, who got a hero’s welcome from the hometown crowd. Another Austin connection, keyboardist Riley Osbourn, spent time in Willie Nelson’s band, and bassist Tony Franklin once played alongside Jimmy Page and Paul Rodgers in The Firm. Add the soulful vocals of Noah Hunt on top of string-bending songs like “Blue on Black” and SRV’s “Come On,” and it’s hard to go wrong in Austin. Van Halen set list: Light Up the Sky When you turn on your stereo, does it return the favor? mrmojohalenQuote |
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